The layerings of melodic delays, reverbs, and filters blend together into a musical cocktail that is undeniably beautiful and lulls the listener into a dream-like state.
Author: Tim Harbour
Album Review | Teitanblood | The Baneful Choir
Frenetically visceral, unrelenting, and full of atmosphere.
Album Review | Crypt Sermon | The Ruins of Fading Light
Following in the footsteps of giants.
Album Review | Tool | Fear Inoculum
Tool seems less interested in “pushing the envelope” and more concerned with creating a musical journey.
Album Review | Dö | Astral Death Cult
Welcome to dying.
Album Review | Falls of Rauros | Patterns in Mythology
Patterns in Mythology outlines grand dips and swells, the balance always shifting between light and dark; a maelstrom of dissonance and harmony.
Album Review | Fleshgod Apocalypse | Veleno
What starts off sounding unique ends up melding into a memory of every melodic death metal album I’ve ever heard.
Album Review | GRYLLE | Les Grandes Compagnies
What sets Les Grandes Compagnies apart is its timbre. The sonic quality of the music, its overall texture, is so much more welcoming than the slicing distortion and overpowering drums (and sometimes terrible mixing) that are generally indicative of a traditional black metal album.
Album Review | Advent Varic | Tumulus Part I & II
Advent Varic is the soundscape to catastrophe; gloom, an ever-present and sobering effect.
Album Review | Murg | Strävan
The murky and washy texture of the music, the clean interludes, and the dismal tropospheric layering of blast beats and vocals competing for the title of the least clear sound in the mix lend to this positive and generally empowering aura Strävan exudes.
Album Review | IDLE HANDS | Mana
When I first watched a video of Idle Hands that was recommended me on Youtube my first impressions were average. The video looked pretty cheesy