The layerings of melodic delays, reverbs, and filters blend together into a musical cocktail that is undeniably beautiful and lulls the listener into a dream-like state.
Frenetically visceral, unrelenting, and full of atmosphere.
Following in the footsteps of giants.
Tool seems less interested in “pushing the envelope” and more concerned with creating a musical journey.
Welcome to dying.
Patterns in Mythology outlines grand dips and swells, the balance always shifting between light and dark; a maelstrom of dissonance and harmony.
What starts off sounding unique ends up melding into a memory of every melodic death metal album I’ve ever heard.
What sets Les Grandes Compagnies apart is its timbre. The sonic quality of the music, its overall texture, is so much more welcoming than the slicing distortion and overpowering drums (and sometimes terrible mixing) that are generally indicative of a traditional black metal album.
Advent Varic is the soundscape to catastrophe; gloom, an ever-present and sobering effect.
The murky and washy texture of the music, the clean interludes, and the dismal tropospheric layering of blast beats and vocals competing for the title of the least clear sound in the mix lend to this positive and generally empowering aura Strävan exudes.
When I first watched a video of Idle Hands that was recommended me on Youtube my first impressions were average. The video looked pretty cheesy