Our long-running list of podcast episodes ordered from newest to oldest.

#202 | Album Review | Miasmatic Necrosis – Apex Profane
Inferna tetigit possit, ut supera assequi.
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#200 | Year-End Top Album Pick Ramblings – Afterbirth, Fuck the Facts, IDES, Gaytheist, Liturgy, and REZN
An off-the-dome rambling on some top album picks from FCU’s contributors.
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#199 | Album Review Holiday Special | Corey Taylor – CMFT
We hope you were expecting a heap of coal this holiday season.
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#198 | Album Review | Obsidian Kingdom – Meat Machine
“Your body is not a temple, it’s just food for the pump.”
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#195 | Album Review | Return to Worm Mountain – Acoustic Tracks 2020
Imbibing the pared down, psychedelic-infused folk ditties from South Africa’s weirdo experimental duo.
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#194 | Album Review | Atrium Carceri – Mortal Shell Soundtrack
Enduring a Sisyphean struggle to attain ascension.
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#193 | Album Review | Tineidae – Exo
Exploring beautiful nebulas, exploding quasars, and distant galaxy swirls.
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#192 | Album Review | Gulch – Impenetrable Cerebral Fortress
Put your head in a wind turbine destructive.
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#191 | Album Review | Stoploss – Wander. Defy. Relent. Decay.
“A life benign, the stench of a false sense of pride. Keep your 9 to 5, I’ll take a dead end drive. At best vermin in this dirt fucking life.”
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#190 | Interview | Insanity Check
An extensive journey through the unrecoverable reality of the dark electronic producer, Insanity Check.
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#189 | Album Review | Osi and The Jupiter – Appalachia
Let the forest speak my name. Down this old road, to Appalachia.
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#188 | Interview | ZILF
Visiting the UFO crash site that cratered in the pastoral countryside of [REDACTED], U.K.
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#187 | Track Reviews | Convulsif, Rattleback, Akhlys, Soft Kill, clown core, and Fuck The Facts
Ramblings and musings about fresh tunes that span the gamut of blistering grindcore, poignant doom pop, minivan jazz, and a litany of other timbres.
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#186 | Interview | ZOMBIESHARK!
Gazing into the depths of the latest opus from the Philly cyber-death goliath.
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#185 | Album Review | Shifting – It Was Good
The sky is falling in! Laugh! HA HA! I think I will.
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#184 | Album Review | Zombieshark! – I Will Destroy You, Myself, And Everything I’ve Ever Loved
Getting virtually woodchipped by a floppy disk drive.
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#183 | Track Reviews | MuN, Sólstafir, Boundaries, Glassing, Anaal Nathrakh, and Catsick / Conflicted
Ramblings on resonances repugnant, riveting, tranquil, and biting.
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#181 | Album Review | Fleshvessel – Bile of Man Reborn
“Gaze upon the fetid rot, Weeping wounds of the world forgot”
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#180 | Track Reviews | Evaporated Sores, Quaranteam, Sprain, Goratory, Quarentimes Compilation (Super Thief, GRIZZLOR, bbigpigg), and An Albatross
Excessive ramblings on timbres harsh, elating, groovy, boisterous, and psychotic.
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#179 | Album Review | END | Splinters From An Ever-Changing Face
“Hell is a reflection of myself, branded in the skin of those I love.”
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#178 | Album Review | Afterbirth | Four Dimensional Flesh
Invigorating and alive, contrary to the deathly genre of which it belongs.
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#177 | Album Review | Insanity Check – Unrecoverable Reality
While you’re nursing your rusty tetanus-filled wounds, be prepared to dance your way to a cyber beat.
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#176 | Album Review | Imperial Triumphant – Alphaville
Eccentric, cerebrum-liquefying savagery.
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#173 | Album Review | Alestorm – Curse of the Crystal Coconut
Load your cannons and prep the gunpowder!
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#172 | Album Review | Ulcerate – Stare Into Death and Be Still
“No halting the flood’s advance, See it through to the end”
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#171 | Retrospective Review | The Shaggs – Philosophy of the World (1969)
Prepare yourself for the history and the horror of the “worst” band ever to be recorded.
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#169 | Track Reviews | Necrot, Black Palm, Voidbloom, Powerman 5000, Shifting, and Imperial Triumphant
Ramblings about new EPs and tracks off of upcoming records: crusty death metal, blistering mathcore neuroses, worming noise rock, and a myriad of other resonances.
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#165 | Track Reviews | CATSICK, Cyttorak, Pyrrhon, Don’t Grow Old, Carpenter Brut, and Dearth
Concise ramblings of some relatively fresh tracks and EPs: sloppy punk, planet-demolishing sludge, a synthwave cover, plus a litany of other timbres.
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#164 | Album Review | Lesa Listvy – Unheard Of
An enrapturing sojourn through polluted skies.
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#163 | Album Review | Mamaleek – Come and See
Mamaleek explores and emits timbres that ceaselessly flood city streets with deafening clamor.
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#161 | Album Reviews | Beneath the Massacre, Benighted, Black Curse, and DVT
Wandering across landscapes dystopian, deranged, heinous, and haunting.
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#160 | Album Review | Old Man Gloom – Seminar IX: Darkness of Being
“Where once you stood Climbs vapor to the stars Where did you go?”
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#159 | Track Reviews | Knock Over City, ZOMBIESHARK!, Firelink, Bell Witch & Aerial Ruin, Gaytheist & Intercourse, and Defeated Sanity
Succinct reviews of some fresh singles, EPs, and splits: cybergrind, funeral doom, noise rock, brutal death metal, and a sundry of other tones.
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#158 | Album Review | Return to Worm Mountain – Therianthropy
An outlandish cross-pollination of psychedelic synth quirks, verdant folk melodies, acid-churning sludge, and a sundry of timbres balmy, bitter, and beatific.
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#156 | Album Review | Intronaut – Fluid Existential Inversions
A psychedelic trip gone awry.
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#155 | Album Review | Mammock – Itch
An auditory experience that channels the fragrant stillness of a twilit evening in the dead of summer.
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#154 | Interview | Ian Corse, Owner of Sleeping Village Reviews
A stopover at the enigmatic cottage cluster of unknown origin.
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#152 | Retrospective Review | Murmuüre – Murmuüre
“Oh, come with old Khayyám, and leave the Wise To talk; one thing is certain, that Life flies; One thing is certain, and the Rest is Lies; The Flower that once has blown for ever dies.”
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#151 | Album Review | clipping. – There Existed an Addiction to Blood
“Laid out on the floor without a tongue trying to ask why”
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#150 | Lost Transmissions | Quantum Zoology, Death Kneel, and Phalanx
Succinct reviews of some cybergrind, harsh noise/industrial, and hardcore-infused death metal.
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#147 | Interview | Chained to the Bottom of the Ocean
Plunging into dismal depths with a doom goliath.
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#146 | Album Review | Cryo Chamber – Hastur
“Strange is the night where black stars rise, And strange moons circle through the skies But stranger still is Lost Carcosa.”
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#145 | Album Review | TEETH – The Curse of Entropy
Crown the astral array of gnashing incisors.
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#142 | Lost Transmissions | 猫 シ Corp. & t e l e p a t h, Clavicvla, and Plague of Carcosa
A new solo podcast endeavor. Succinct reviews of releases from a breadth of disparate genres.
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#139 | Album Review | Blood Incantation – Hidden History of the Human Race
Peel back the long-dormant veil curtaining our lineage.
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#138 | EP Review | Chained to the Bottom of the Ocean – Tell Me What You See Vanishing and I Will Tell You Who You Are
Obsidian depths and suffocating forlornness reign.
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#137 | Interview | Cameron Miller of SEIZURES
An in-depth discussion with vocalist Cameron Miller of the beach math quintet, Seizures.
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#136 | Album Review | Osi and The Jupiter – Nordlige Rúnaskog
Idyllic nature-drenched folk.
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#134 | Interview | Firelink (Dark Souls-Inspired Progressive Black Metal from Atlanta)
Unfurling a forlorn yet heartfelt odyssey.
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#133 | Retrospective Review | Comus – First Utterance (1971)
Revisiting the ominous mysticism harbored within this relatively obscure progressive folk gem.
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#132 | Album Review | Norma Jean – All Hail
Powerful melody and spacious soundscapes stacked on sludgy hardcore riffing.
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#131 | Album Review | Beyond the Ghost – You Disappeared
An uncanny mosaic of emotions from a glacial dreamworld.
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#129 | Album Reviews | ESOCTRILIHUM, Despondent Moon, Mizmor, Witch Vomit
Dissections of sounds arcane and apoplectic.
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#128 | Album Review | Car Bomb – Mordial
A kaleidoscopic tunnel of ever-evolving influences, alien shapes, and colors both muted and vibrant.
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#127 | Album Review | Gleb Kanasevich – Asleep
From the blackest umbrages of despondent landscapes long forgotten.
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#126 | Album Review | White Ward – Love Exchange Failure
Broaching uncanny depths of city life through aural exploration.
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#124 | Album Review | ISON – INNER – SPACE
Grab your space suits and prepare your cryo-dried coffee.
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#123 | Retrospective Review | Cryptopsy – None So Vile
Exhuming the 1996 death metal landmark.
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#121 | Album Review | C.O.F.F.I.N – Be Gone (2019) and Piss~Up (2018) w/ Tarek of Intercourse
A (mostly) retrospective review of the Aussie pub thrashers’ 2018 ripper, Piss~Up.
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#119 | Album Review | Zeresh – Farewell
Steeped in mysticism, Farewell’s amorphous and verdant folk compositions beckon us into an early onset of autumn.
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#118 | Interview | Dead Twin on His Intimate, Unreleased Album ‘Unhappy’
An in-depth wandering about the introspective, ambient-laden album that pays respects to John’s brother, Peter.
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#116 | Album Reviews | Disentomb, Batushka, Krzysztof Drabikowski, Skáphe + Wormlust
In this album review cluster, we plunge into the musty auras permeating from Disentomb, we make effort to settle the debate between the better of the two Batushka’s, Bartushka and Krzysztof’s solo record, and we capstone the episode with the harrowing psychedelic incantation invoked by Skáphe and Wormlust.
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#115 | EP Review | Wazzara – Zessa
Zessa comes together like an enchanting mist delicately strewn about a world long forgotten.
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#114 | Album Review | Valborg – Zentrum
A monolithic cyborg compactor that dwells in the fringes of space, slowly glassing and obliterating planets with surgical precision.
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#113 | Album Review | God Body Disconnect – The Mist Between Mirrors
Dredging up opaque memories from our respective childhoods, God Body Disconnect’s latest work imbued in us a keen sense of introspectiveness and longing.
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#112 | Discussion | Fire in the Mountains Festival 2019
A recounting of our journey out to Jackson Hole, Wyoming, and the festival that transpired near the Grand Teton mountain range.
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#111 | Album Review | The Austerity Program – Bible Songs 1 (w/ Adam of Constant Disappointment Records)
“All the wrath of god, none of the salvation.”
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#110 | Album Reviews | Misþyrming, Ossuary, Lord Dying, Firelink
Our latest album review variety episode where we dissect some frigid black metal, murky death-doom, progressive sludge, and Dark Souls-inspired black metal.
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#109 | Album Review | GRIZZLOR – COOLNESS FACTOR 6
Grab your makeshift wrenches and welding torches to keep this disheveled crew’s craft afloat as we strike murderous warp speed.
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#108 | Album Review | POUND – ••
POUND’s style is a caustic amalgam of doom, grindcore, d-beat, djent, mathcore, sludge, and a smattering of other genre textures. While this blend of sounds on the surface may sound like a trainwreck, the duo effortlessly weaves the core essence of each genre into a rather novel tone.
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#107 | Album Review | Amon Amarth – Berserker
Be it the soaring melodies grounded by gravelly rasps or the wind-whipped onslaughts of steel crushing bone, Amon Amarth port us to the biting, primitive landscapes of yore and imbue in us a keen sense of valiance and wanderlust.
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#106 | Interview | Dysphoria (Scathing Harsh Noise Wall)
Ashley Jane (Dysphoria) expounds upon her early explorations of noise and discusses how these experiments eventually culminated into her biting debut album, Salt & Piss.
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#105 | Album Review | Heavy Meta – Heavy Meta
A ferocious concoction of mathcore and hardcore infused with shots of progressive inclinations and black metal animosity.
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#104 | Album Review | NERATERRÆ – The Substance of Perception
Depending on the time of day and/or the mood harboring your skull, each perceived track floats by like an amorphous mass, ceaselessly shape shifting before your eyes. It renders each listening experience a novel one. And this quality glimmers fervently, long after you depart from its substances and continue your day-to-day.
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#103 | Interview | Flowers for Bodysnatchers (Transfixing Neoclassical Dark Ambient)
Duncan Ritchie discusses his latest Cryo Chamber effort, Alive With Scars. He speaks about some of his field recording techniques, the album’s artwork, and how living with Multiple Sclerosis has ultimately served as a touchstone of influence for all of his compositions, old and new.
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#102 | Album Review | Tempel – Tempel
There is a candid sense of liveliness and joviality that pierces Tempel’s compositions. Much of the record leaves an impression of a hard/classic rock aesthetic, however, the way they dig their heels into metallic qualities, carried by vociferous rasps, makes the album feel retro and simultaneously progressive.
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#101 | Album Review | Suldusk – Lunar Falls
Elegiac are Emily Highfield’s compositions as she effortlessly floats from warm guitar passages to forlorn bogs of blackened malice. Amidst her transitional wafts, she often caresses listeners with witch-like whispers. And in flashes of ember-tinged light, she glides upward, transcending her auditory structures into feverishly blissful twinkles of awe.
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#100 | Interview | Crowfeeder, Constant Disappointment Records
Adam speaks in-depth about his sludgy, blues-imbued hardcore project named Crowfeeder. He then expands upon this endeavor to illuminate the genesis of his chaos-teeming record label, Constant Disappointment Records.
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#99 | Interview | Death Tape Super Bass (Process-Driven, Experimental Electronic Moodboards)
Alex of Death Tape Super Bass explains his reasoning for not adhering to a specific style of sound, the process by which he produces a track, and his innate desire to unearth new sounds to broaden his soundboard.
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#98 | Interview | Mans Best Friend (Pensive Harsh Noise Drones)
From his auditory experiments, a keen sense of candidness percolates. And amidst what sounds like unbridled chaos and static froth curdling on the surface, the baritone drones undulating underfoot lull you into a trance-like state.
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#97 | Brief Album Reviews | Tulip, Lurid Panacea, Black to Comm, AORATOS
A new album review podcast series between podcast host Ryan and album review writer, Tim. We discuss four albums for about 10 to 20 minutes apiece, expounding upon qualities we enjoyed as well as qualities we were not necessarily fond of.
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#96 | Interview | Zombie Holocaust (Bay Area Thrash)
Nicolas Gomez, the vocalist of Zombie Holocaust, speaks about the founding of the band, the writing process, and he dives into some stand out tracks. He also talks at great length about his hero/inspiration the bass legend Cliff Burton (Metallica), who shares the same hometown of Castro Valley with Nick.
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#95 | Interview | Noxious Insect (Nature-based Harsh Noise Explorations)
Noxious Insect takes a sincerely novel approach to noise production as he channels frequencies we regularly hear whilst walking about nature or shuffling across the asphalt architecture of human design. Beyond this immediate realization, however, Noxious Insect presents us a reflection on the micro-biology us humans typically do not contemplate.
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#94 | Album Review | Allegaeon – Apoptosis
Apoptosis is breathtaking in its technicality, uplifting in its melodies, and expansive in scope as it effortlessly incorporates tinges of orchestral flair.
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#93 | Album Review | Inter Arma – Sulphur English
Sulphur English is utterly sullen and crushing, yet simultaneously intoxicating, triumphant, and revitalizing. It latches onto an ancient strand of DNA residing in each of us. And it strives to ignite a smoldering flame to illuminate an ancient path we have strayed.
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#92 | Album Review | Nasheim – Jord och aska
A despondent expanse made verdant by its lush, transfixing melodies; a seamless wayfaring, Jord och aska harbors an elegant blissfulness sodden in melancholy.
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#91 | Interview | Drano Cocktail (Droning, Ambient-Laden Harsh Noise)
Drano Cocktail satiates Ben Campbell’s drive for tinkering with sounds, mood palettes, and morose themes in liberating ways as he does not tether himself to a single noise style or flavor.
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#90 | Album Review | Flowers for Bodysnatchers – Alive with Scars
From the eerie crawl of nausea-inducing orchestral strings to the gaping maw of hopeless black ambience and the bone-piercing industrial beats, Alive with Scars harbors tones immediately familiar to those acquainted with Duncan’s work, though it simultaneously treads new sonic terrain, bringing us closer toward understanding his existence with Multiple Sclerosis.
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#89 | Album Review | Beaten to Death – Agronomicon
Characterized by a turbulent mishmash of genres and styles, the experimental, melodic grindcore quintet Beaten to Death erect a unique tone that is as disorienting as it is blissful.
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#88 | The Noise Perspective | Dead Twin (Devastating Harsh Noise/Power Electronics)
Dead Twin digs into his early days of experimenting with noise. He describes his piercing sound, some of his wildest live shows, and he touches on some key influences, in particular, the Japanese noise scene.
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#87 | Album Review | Veilburner – A Sire to the Ghouls of Lunacy
Etched into this album’s enigmatic fabric are dizzying patterns of electronic soundscapes, an unflinching quantity of bizarre timbres and transitions, and a keen sense of mania.
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#86 | The Noise Perspective | Worm Monolith (Harsh Rhythmic Noise)
The first episode in a new podcast series where artists perform a live set shortly after discussing their music and process.
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#85 | Album Review | LORN – REMNANT
A moodboard of tones, soundscapes, electronic planes and spires protruding into the not too distant future, REMNANT ensconces listeners in a cyberpunk reality.
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#84 | Interview | Grave Blankets (Striking Ambient/Noise Mood Palettes from Philadelphia)
Grave Blankets discuss the piecing together of their debut EP. They describe how the band formed and they also articulate an intriguing notion whereby each member’s contributions to the band’s output are for the collective of the outfit and not for egotistical inflation.
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#83 | Album Review | BLACK BILE – Dead Leaves Before An Angry Wind
Interspersed throughout the frigid void writhing, feverish outbursts of death industrial erupt and sometimes, molten heaps of sheet metal eek to create scathing harsh noise textures.
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#82 | Album Review | Det Eviga Leendet – Lenience
The unbridled melancholy pouring from each individual note swirls together to forge a blizzard of biting anguish, though amidst the relentless gales, moments of sunlight manage to break through.
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#81 | Album Review | Xerxes The Dark – Tower Of Silence
We tread through eons of cobwebs and dust accumulating in the Tower Of Silence and attempt to unearth its dreary secrets.
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#80 | Interview | WORM MONOLITH (Harsh Rhythmic Noise)
Worm Monolith dives into his eponymous LP, providing us details as to what transpires in his album’s narrative. He also provides us a glimpse into his future output, illuminating how his sound will evolve, and where his story will travel next.
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#79 | Album Review | Aneurysm – Awareness
We delve into the ten tracks of unfettered punk energy pouring from Awareness and marinate in its slop of slurred notes, all while getting eviscerated by its chunky rhythms and unhinged ramblings.
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#78 | Film Discussion | Henry: Portrait of a Serial Killer (1986)
We delve into the seedy underbelly of the 1986 horror classic, Henry: Portrait of a Serial Killer.
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#77 | Interview | NONE (Meditative Neofolk Swirling in Portals of Black Metal, Industrial, Noise, and Dark Ambient)
Nicholas of NONE discusses the blend of genres, feelings, and energy comprising this solo project of his. He goes into his writing process, what the project represents for him personally, and he also divulges the intriguing notion that NONE is more than just the name of his project, but a deity of his own construction.
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Voices From Corners Unknown, Ep. 27 | Return to Worm Mountain, FOUDRE!, Summoned by Giants
In episode twenty-seven, we vacate the halls of bone and flesh to journey to the quirky, synth-laden krautrock mountain of worms on Return to Worm Mountain’s eponymous LP. We get doused in the effervescent ambient energy of FOUDRE!’s Kami 神 and we get smoked out by the delectably hefty stoner doom crunch of Azimuth from Summoned by Giants.
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Ep. 43: A Conversation with Duncan Park (Droning Psychedelic Folk, Krautrock, and Lo-Fi Black Metal)
In episode forty-three, Duncan Park (Listeriosis, Return to Worm Mountain) delves into each of his projects and discusses what he has learned from them. He speaks about how he came into contact with extreme metal, his love for drone, and how his compositional approach has evolved as he works with more musicians.
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Voices From Corners Unknown, Ep. 26 (Gaetir The Mountainkeeper, VANHA, Andromida)
In episode twenty-six, we wander across the ancient, frost-bitten crags sculpted on Gaetir The Mountainkeeper’s Fornjörð. We stagger through the melodic funeral doom death march of VANHA’s Melancholia and on Andromida’s More Than Human, we soar atop its illustrious, cinematic djent compositions.
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Ep. 42: A Conversation with VANCORVID (A Surreal Tonic of Experimental Electronic and Violin)
In episode forty-two, VANCORVID delves into her surreal blend of violin arrangements and experimental electronic, her writing process, and paying respects to the Irish goddess Morrigan.
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Voices From Corners Unknown, Ep. 25 (Replicant, Isegrimm, Mylingar)
In episode twenty-five, we get ensnared within the oozing tech-death miasma of Replicant’s Negative Life. We trek across the majestic medieval expanses conjured on Isegrimm’s Der Herr Von Verona and we suffocate in the pestilent blackened death metal tomb of Mylingar’s Döda Drömmar.
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Ep. 41: A Conversation with Cyttorak (Crushing Planetary Sludge from Providence)
In episode forty-one, Rich and Evan of Providence-based sludge brigade, Cyttorak, discuss the band’s formation, their tonal evolution, and how they channel the auras of the old United States land upon which they reside.
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Voices From Corners Unknown, Ep. 24 (Burmese, HolyArrow, BUMMER)
In episode twenty-four, we get steamrolled by the sludgy, experimental dual bass, drum, and vocal grind of Burmese’s privileged. We are ported back to 14th century China in HolyArrow’s epic black metal opus, 靖難/Fight back for the Fatherland, and we convulse in the sludge ‘n roll bliss of BUMMER’s Holy Terror.
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Voices From Corners Unknown, Ep. 23 (Worm Monolith, Tongue Party, Allogenic)
In episode twenty-three, we languish in the dreary harsh noise auras erected by Worm Monolith, we seek reprieve from our monotonous existence via the unfettered noise rock energy promulgated in Tongue Party’s Looking for a Painful Death, and we traverse the night sky with Allogenic’s Rites of Fear, stepping into its experimental electronic portal to explore the occult secrets lying beyond.
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Voices From Corners Unknown, Ep. 22 (Grave Blankets, Cognitive, MULE)
In episode twenty-two, we are cloaked in the droning, industrial-tinged sound palettes of Grave Blankets’ self-titled debut EP. We get hanged, drawn and quartered by the technical, groove-laden death metal savagery of Cognitive’s new LP, Matricide, and we stride across the neon synth skylines of MULE’s future retro debut record, Music for B-Movies.
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Voices From Corners Unknown, Ep. 1 (The Null Spectre, protoU and Hilyard, Drug Honkey)
In an effort to cover more music, artists, albums on this site, I’ve teamed up with a close friend of mine, Connor, to begin a podcast series. Each episode we will discuss three records; the genres will remain in the realms of dark ambient, metal, or genres tangentially related to these. At the end of a record’s discussion, we will play a small sample clip of the record we think will give listeners an idea of what to expect should you go listen to the full release. The series is titled Voices From Corners Unknown. We will do our best to trickle these out on a bi-weekly basis. There are no ratings in our discussions, just simple yes/no recommendations. These discussions will not replace the written reviews that pop up on the site from time-to-time. Rather, this podcast series attempts to broaden the coverage of artists over the years ahead. You can download each episode from the player at the top of each post or listen in the video player linked below. Thank you for your continued support and we hope you enjoy our discussions. For our inaugural episode, we discuss the following artists and their records in this order: 1.
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