Ramblings on resonances repugnant, riveting, tranquil, and biting.
Ramblings on resonances repugnant, riveting, tranquil, and biting.
Broaching uncanny depths of city life through aural exploration.
Grab your space suits and prepare your cryo-dried coffee.
A monolithic cyborg compactor that dwells in the fringes of space, slowly glassing and obliterating planets with surgical precision.
Elegiac are Emily Highfield’s compositions as she effortlessly floats from warm guitar passages to forlorn bogs of blackened malice. Amidst her transitional wafts, she often caresses listeners with witch-like whispers. And in flashes of ember-tinged light, she glides upward, transcending her auditory structures into feverishly blissful twinkles of awe.
Interspersed throughout the frigid void writhing, feverish outbursts of death industrial erupt and sometimes, molten heaps of sheet metal eek to create scathing harsh noise textures.
Everything you ever wanted to know about the album Lysol by the Melvins.
An in-depth podcast conversation with Matt Matheson of Potmos Hetoimos, where he discusses his eleventh record, Vox Medusae.
In this album review episode, we chat about recent releases from Zeresh (Sigh for Sight), NewBreed (Law), and Keosz (NO FUTURE: VOL 2).
An album review podcast of the latest releases from Scott Lawlor (Transition), Mass Culture (Primal | Ephemeral), and Bell (Secrets from a Distant Star).
An album review podcast of the latest records from Matriarch (Constructs of Time), Carl Gene (Mourning), and Message in a Cloud (Anassa).
Third Island discuss their approach to composing riffs, explain why their releases are concept-driven, and highlight some hilarious moments between themselves.