Steeped in mysticism, Farewell’s amorphous and verdant folk compositions beckon us into an early onset of autumn.

Steeped in mysticism, Farewell’s amorphous and verdant folk compositions beckon us into an early onset of autumn.
Elegiac are Emily Highfield’s compositions as she effortlessly floats from warm guitar passages to forlorn bogs of blackened malice. Amidst her transitional wafts, she often caresses listeners with witch-like whispers. And in flashes of ember-tinged light, she glides upward, transcending her auditory structures into feverishly blissful twinkles of awe.
In this album review episode, we chat about recent releases from Zeresh (Sigh for Sight), NewBreed (Law), and Keosz (NO FUTURE: VOL 2).
Erik of Aerial Ruin discusses performing Mirror Reaper with Bell Witch in its entirety and probes the compositions and themes of his latest album, Nameless Sun.
An album review podcast of the latest records from HAAN (By the Grace of Blood and Guts), Necromishka (The Space Between Us), and GRIZZLOR (5 Wasted Years).