Crux is an undeniably unique album. Compositionally, it is exceptionally crafted and a breath of fresh air within modern rock music. However, I find myself simultaneously loving and hating parts of the album and generally that feeling happens at the same time.
In episode twenty-six, we wander across the ancient, frost-bitten crags sculpted on Gaetir The Mountainkeeper’s Fornjörð. We stagger through the melodic funeral doom death march of VANHA’s Melancholia and on Andromida’s More Than Human, we soar atop its illustrious, cinematic djent compositions.