Ensnared in a crystalline azure.
#148 | Album Review | In Human Form – III
Continue reading
Advertisements
Tag: Progressive Metal
#144 | Album Review | An Isolated Mind – I’m Losing Myself
Regress to a polyp.
#134 | Interview | Firelink (Dark Souls-Inspired Progressive Black Metal from Atlanta)
Unfurling a forlorn yet heartfelt odyssey.
Album Review | Tool | Fear Inoculum
Tool seems less interested in “pushing the envelope” and more concerned with creating a musical journey.
Album Review | Falls of Rauros | Patterns in Mythology
Patterns in Mythology outlines grand dips and swells, the balance always shifting between light and dark; a maelstrom of dissonance and harmony.
#110 | Album Reviews | Misþyrming, Ossuary, Lord Dying, Firelink
Our latest album review variety episode where we dissect some frigid black metal, murky death-doom, progressive sludge, and Dark Souls-inspired black metal.
#105 | Album Review | Heavy Meta – Heavy Meta
A ferocious concoction of mathcore and hardcore infused with shots of progressive inclinations and black metal animosity.
Album Review | LATITUDES | Part Island
Where some music reflects on loss, Part Island embodies it and causes nostalgia to well up in your throat
#93 | Album Review | Inter Arma – Sulphur English
Sulphur English is utterly sullen and crushing, yet simultaneously intoxicating, triumphant, and revitalizing. It latches onto an ancient strand of DNA residing in each of us. And it strives to ignite a smoldering flame to illuminate an ancient path we have strayed.
Album Review | Moon Tooth | Crux
Crux is an undeniably unique album. Compositionally, it is exceptionally crafted and a breath of fresh air within modern rock music. However, I find myself simultaneously loving and hating parts of the album and generally that feeling happens at the same time.
Voices From Corners Unknown, Ep. 26 (Gaetir The Mountainkeeper, VANHA, Andromida)
In episode twenty-six, we wander across the ancient, frost-bitten crags sculpted on Gaetir The Mountainkeeper’s Fornjörð. We stagger through the melodic funeral doom death march of VANHA’s Melancholia and on Andromida’s More Than Human, we soar atop its illustrious, cinematic djent compositions.
