Spotlights use tone and layering to carve sonic mountains on their latest EP.
Spotlights use tone and layering to carve sonic mountains on their latest EP.
There is a candid sense of liveliness and joviality that pierces Tempel’s compositions. Much of the record leaves an impression of a hard/classic rock aesthetic, however, the way they dig their heels into metallic qualities, carried by vociferous rasps, makes the album feel retro and simultaneously progressive.
The latest Intercourse EP personifies the bleak desperation at the bottom of every bottle, making “outlook not so good” the understatement of the century.
Elegiac are Emily Highfield’s compositions as she effortlessly floats from warm guitar passages to forlorn bogs of blackened malice. Amidst her transitional wafts, she often caresses listeners with witch-like whispers. And in flashes of ember-tinged light, she glides upward, transcending her auditory structures into feverishly blissful twinkles of awe.
When I first watched a video of Idle Hands that was recommended me on Youtube my first impressions were average. The video looked pretty cheesy
Adam speaks in-depth about his sludgy, blues-imbued hardcore project named Crowfeeder. He then expands upon this endeavor to illuminate the genesis of his chaos-teeming record label, Constant Disappointment Records.
We delve into the ten tracks of unfettered punk energy pouring from Awareness and marinate in its slop of slurred notes, all while getting eviscerated by its chunky rhythms and unhinged ramblings.