Adam speaks in-depth about his sludgy, blues-imbued hardcore project named Crowfeeder. He then expands upon this endeavor to illuminate the genesis of his chaos-teeming record label, Constant Disappointment Records.
Featuring 45 artists across the genres of death, black, and sludge metal, noise, crust, ritual ambient, and neofolk.
In episode forty-three, Duncan Park (Listeriosis, Return to Worm Mountain) delves into each of his projects and discusses what he has learned from them. He speaks about how he came into contact with extreme metal, his love for drone, and how his compositional approach has evolved as he works with more musicians.
In episode forty-one, Rich and Evan of Providence-based sludge brigade, Cyttorak, discuss the band’s formation, their tonal evolution, and how they channel the auras of the old United States land upon which they reside.
In episode twenty-four, we get steamrolled by the sludgy, experimental dual bass, drum, and vocal grind of Burmese’s privileged. We are ported back to 14th century China in HolyArrow’s epic black metal opus, 靖難/Fight back for the Fatherland, and we convulse in the sludge ‘n roll bliss of BUMMER’s Holy Terror.
In episode twenty-three, we languish in the dreary harsh noise auras erected by Worm Monolith, we seek reprieve from our monotonous existence via the unfettered noise rock energy promulgated in Tongue Party’s Looking for a Painful Death, and we traverse the night sky with Allogenic’s Rites of Fear, stepping into its experimental electronic portal to explore the occult secrets lying beyond.
An album review podcast of the latest releases from Scott Lawlor (Transition), Mass Culture (Primal | Ephemeral), and Bell (Secrets from a Distant Star).
An album review podcast of the latest records from HAAN (By the Grace of Blood and Guts), Necromishka (The Space Between Us), and GRIZZLOR (5 Wasted Years).
In this album review podcast episode, we discuss the latest releases from Campaign Committee (Bill of Rights), Martyria’s (Self-Titled), and Secret Cutter (Quantum Eraser).
Professionally dubbed high bias tape of Tired Lord’s ‘Demo’. Cassette shells are matte grey with a custom design on each side. Limited edition of 30.