A monolithic cyborg compactor that dwells in the fringes of space, slowly glassing and obliterating planets with surgical precision.
A recounting of our journey out to Jackson Hole, Wyoming, and the festival that transpired near the Grand Teton mountain range.
Our latest album review variety episode where we dissect some frigid black metal, murky death-doom, progressive sludge, and Dark Souls-inspired black metal.
Duncan Ritchie discusses his latest Cryo Chamber effort, Alive With Scars. He speaks about some of his field recording techniques, the album’s artwork, and how living with Multiple Sclerosis has ultimately served as a touchstone of influence for all of his compositions, old and new.
The first episode in a new podcast series where artists perform a live set shortly after discussing their music and process.
With this stunning artisan masterwork of mesmerising atmospheric dark ambient music, German solo musician Thomas Langewehr beckons tantalisingly to each listener.
Grave Blankets discuss the piecing together of their debut EP. They describe how the band formed and they also articulate an intriguing notion whereby each member’s contributions to the band’s output are for the collective of the outfit and not for egotistical inflation.
Astronoid mixes aggression with ambience to make metal you can breathe.
We tread through eons of cobwebs and dust accumulating in the Tower Of Silence and attempt to unearth its dreary secrets.
In episode twenty-seven, we vacate the halls of bone and flesh to journey to the quirky, synth-laden krautrock mountain of worms on Return to Worm Mountain’s eponymous LP. We get doused in the effervescent ambient energy of FOUDRE!’s Kami 神 and we get smoked out by the delectably hefty stoner doom crunch of Azimuth from Summoned by Giants.
In episode twenty-two, we are cloaked in the droning, industrial-tinged sound palettes of Grave Blankets’ self-titled debut EP. We get hanged, drawn and quartered by the technical, groove-laden death metal savagery of Cognitive’s new LP, Matricide, and we stride across the neon synth skylines of MULE’s future retro debut record, Music for B-Movies.