Grab your space suits and prepare your cryo-dried coffee.
Steeped in mysticism, Farewell’s amorphous and verdant folk compositions beckon us into an early onset of autumn.
Dredging up opaque memories from our respective childhoods, God Body Disconnect’s latest work imbued in us a keen sense of introspectiveness and longing.
A recounting of our journey out to Jackson Hole, Wyoming, and the festival that transpired near the Grand Teton mountain range.
Depending on the time of day and/or the mood harboring your skull, each perceived track floats by like an amorphous mass, ceaselessly shape shifting before your eyes. It renders each listening experience a novel one. And this quality glimmers fervently, long after you depart from its substances and continue your day-to-day.
Duncan Ritchie discusses his latest Cryo Chamber effort, Alive With Scars. He speaks about some of his field recording techniques, the album’s artwork, and how living with Multiple Sclerosis has ultimately served as a touchstone of influence for all of his compositions, old and new.
From the eerie crawl of nausea-inducing orchestral strings to the gaping maw of hopeless black ambience and the bone-piercing industrial beats, Alive with Scars harbors tones immediately familiar to those acquainted with Duncan’s work, though it simultaneously treads new sonic terrain, bringing us closer toward understanding his existence with Multiple Sclerosis.
Featuring 45 artists across the genres of death, black, and sludge metal, noise, crust, ritual ambient, and neofolk.
With this stunning artisan masterwork of mesmerising atmospheric dark ambient music, German solo musician Thomas Langewehr beckons tantalisingly to each listener.
A moodboard of tones, soundscapes, electronic planes and spires protruding into the not too distant future, REMNANT ensconces listeners in a cyberpunk reality.
We tread through eons of cobwebs and dust accumulating in the Tower Of Silence and attempt to unearth its dreary secrets.