Tårn delivers on so many fronts: it’s groovy, it’s heavy, and it’s catchy, a winning combo. Though Ruff Majik has never been as heavy as to be labeled a doom metal act, with each album they grow darker and more brooding and their sound here is a far cry from the stoner rock sounds heard on their debut, The Bear.
Where some music reflects on loss, Part Island embodies it and causes nostalgia to well up in your throat
Sulphur English is utterly sullen and crushing, yet simultaneously intoxicating, triumphant, and revitalizing. It latches onto an ancient strand of DNA residing in each of us. And it strives to ignite a smoldering flame to illuminate an ancient path we have strayed.
This album is just filled with so many great moments and while the writing manages to respect the time-honoured tradition of Candlemass’s well-known sound, the band really brings something new to the table with this release.
In episode twenty-seven, we vacate the halls of bone and flesh to journey to the quirky, synth-laden krautrock mountain of worms on Return to Worm Mountain’s eponymous LP. We get doused in the effervescent ambient energy of FOUDRE!’s Kami 神 and we get smoked out by the delectably hefty stoner doom crunch of Azimuth from Summoned by Giants.