A cavalcade into depravity.
Excessive ramblings on timbres harsh, elating, groovy, boisterous, and psychotic.
Filthy and Frenzied.
The universe collapses. This is the soundtrack.
Succinct reviews of some cybergrind, harsh noise/industrial, and hardcore-infused death metal.
Members of The Body, Full of Hell, and Lingua Ignota combine to give us a lesson in restraint and trust on their debut LP.
From the blackest umbrages of despondent landscapes long forgotten.
An in-depth wandering about the introspective, ambient-laden album that pays respects to John’s brother, Peter.
Ashley Jane (Dysphoria) expounds upon her early explorations of noise and discusses how these experiments eventually culminated into her biting debut album, Salt & Piss.
Alex of Death Tape Super Bass explains his reasoning for not adhering to a specific style of sound, the process by which he produces a track, and his innate desire to unearth new sounds to broaden his soundboard.
From his auditory experiments, a keen sense of candidness percolates. And amidst what sounds like unbridled chaos and static froth curdling on the surface, the baritone drones undulating underfoot lull you into a trance-like state.
Noxious Insect takes a sincerely novel approach to noise production as he channels frequencies we regularly hear whilst walking about nature or shuffling across the asphalt architecture of human design. Beyond this immediate realization, however, Noxious Insect presents us a reflection on the micro-biology us humans typically do not contemplate.