Download this episode by clicking the button to the right of this player: Download Flowers for Bodysnatchers is the neoclassical dark ambient endeavor helmed by
The murky and washy texture of the music, the clean interludes, and the dismal tropospheric layering of blast beats and vocals competing for the title of the least clear sound in the mix lend to this positive and generally empowering aura Strävan exudes.
Elegiac are Emily Highfield’s compositions as she effortlessly floats from warm guitar passages to forlorn bogs of blackened malice. Amidst her transitional wafts, she often caresses listeners with witch-like whispers. And in flashes of ember-tinged light, she glides upward, transcending her auditory structures into feverishly blissful twinkles of awe.
A new album review podcast series between podcast host Ryan and album review writer, Tim. We discuss four albums for about 10 to 20 minutes apiece, expounding upon qualities we enjoyed as well as qualities we were not necessarily fond of.
We reach a lull as the abrasive yet alluring wall of sound is broken by swirling keyboards and reverb-drenched guitar. This respite is accompanied by visions of lush, green, cold forests that seems to pass by as if in some sort of fevered dream.
With this stunning artisan masterwork of mesmerising atmospheric dark ambient music, German solo musician Thomas Langewehr beckons tantalisingly to each listener.
The unbridled melancholy pouring from each individual note swirls together to forge a blizzard of biting anguish, though amidst the relentless gales, moments of sunlight manage to break through.
In episode twenty-two, we are cloaked in the droning, industrial-tinged sound palettes of Grave Blankets’ self-titled debut EP. We get hanged, drawn and quartered by the technical, groove-laden death metal savagery of Cognitive’s new LP, Matricide, and we stride across the neon synth skylines of MULE’s future retro debut record, Music for B-Movies.