Dead Twin digs into his early days of experimenting with noise. He describes his piercing sound, some of his wildest live shows, and he touches on some key influences, in particular, the Japanese noise scene.
Featuring 45 artists across the genres of death, black, and sludge metal, noise, crust, ritual ambient, and neofolk.
The first episode in a new podcast series where artists perform a live set shortly after discussing their music and process.
Grave Blankets discuss the piecing together of their debut EP. They describe how the band formed and they also articulate an intriguing notion whereby each member’s contributions to the band’s output are for the collective of the outfit and not for egotistical inflation.
Worm Monolith dives into his eponymous LP, providing us details as to what transpires in his album’s narrative. He also provides us a glimpse into his future output, illuminating how his sound will evolve, and where his story will travel next.
Have you ever wanted to have your ear-rectum invaded by tiny noise-making arcade monsters? If so, look no further.
In episode twenty-seven, we vacate the halls of bone and flesh to journey to the quirky, synth-laden krautrock mountain of worms on Return to Worm Mountain’s eponymous LP. We get doused in the effervescent ambient energy of FOUDRE!’s Kami 神 and we get smoked out by the delectably hefty stoner doom crunch of Azimuth from Summoned by Giants.
Everything you ever wanted to know about the album Lysol by the Melvins.
In episode twenty-four, we get steamrolled by the sludgy, experimental dual bass, drum, and vocal grind of Burmese’s privileged. We are ported back to 14th century China in HolyArrow’s epic black metal opus, 靖難/Fight back for the Fatherland, and we convulse in the sludge ‘n roll bliss of BUMMER’s Holy Terror.