Adam speaks in-depth about his sludgy, blues-imbued hardcore project named Crowfeeder. He then expands upon this endeavor to illuminate the genesis of his chaos-teeming record label, Constant Disappointment Records.
Tårn delivers on so many fronts: it’s groovy, it’s heavy, and it’s catchy, a winning combo. Though Ruff Majik has never been as heavy as to be labeled a doom metal act, with each album they grow darker and more brooding and their sound here is a far cry from the stoner rock sounds heard on their debut, The Bear.
Where some music reflects on loss, Part Island embodies it and causes nostalgia to well up in your throat
Sulphur English is utterly sullen and crushing, yet simultaneously intoxicating, triumphant, and revitalizing. It latches onto an ancient strand of DNA residing in each of us. And it strives to ignite a smoldering flame to illuminate an ancient path we have strayed.
Featuring 45 artists across the genres of death, black, and sludge metal, noise, crust, ritual ambient, and neofolk.
It’s Bullhead, bitch.
Everything you ever wanted to know about the album Lysol by the Melvins.
Ian Turpin of Throat Breach discusses the evolution of his grindcore band from its bedroom days as Napalm Meth up to it becoming a sludgy, pus-exuding three-piece.