Death metal with thrash, slam, and hardcore influences, Samsara harbors an affinity for progressive writing that is both technical while also being engaging.
Characterized by a turbulent mishmash of genres and styles, the experimental, melodic grindcore quintet Beaten to Death erect a unique tone that is as disorienting as it is blissful.
Etched into this album’s enigmatic fabric are dizzying patterns of electronic soundscapes, an unflinching quantity of bizarre timbres and transitions, and a keen sense of mania.
Featuring 45 artists across the genres of death, black, and sludge metal, noise, crust, ritual ambient, and neofolk.
Brutal, crushing death metal, riffs that you can’t help nodding your head to… Though Frozen Soul might not be redefining the death metal genre, they definitely know how to do it right.
This sense of being pounded with a brick in your face does not end until you either put off the album or manage to make it to the final track.
In episode twenty-five, we get ensnared within the oozing tech-death miasma of Replicant’s Negative Life. We trek across the majestic medieval expanses conjured on Isegrimm’s Der Herr Von Verona and we suffocate in the pestilent blackened death metal tomb of Mylingar’s Döda Drömmar.
In episode twenty-two, we are cloaked in the droning, industrial-tinged sound palettes of Grave Blankets’ self-titled debut EP. We get hanged, drawn and quartered by the technical, groove-laden death metal savagery of Cognitive’s new LP, Matricide, and we stride across the neon synth skylines of MULE’s future retro debut record, Music for B-Movies.