Music Podcast and Webzine | Metal, Noise, Dark Ambient
From his auditory experiments, a keen sense of candidness percolates. And amidst what sounds like unbridled chaos and static froth curdling on the surface, the baritone drones undulating underfoot lull you into a trance-like state.
Sulphur English is utterly sullen and crushing, yet simultaneously intoxicating, triumphant, and revitalizing. It latches onto an ancient strand of DNA residing in each of us. And it strives to ignite a smoldering flame to illuminate an ancient path we have strayed.
Featuring 45 artists across the genres of death, black, and sludge metal, noise, crust, ritual ambient, and neofolk.
With this stunning artisan masterwork of mesmerising atmospheric dark ambient music, German solo musician Thomas Langewehr beckons tantalisingly to each listener.
Grave Blankets discuss the piecing together of their debut EP. They describe how the band formed and they also articulate an intriguing notion whereby each member’s contributions to the band’s output are for the collective of the outfit and not for egotistical inflation.
We tread through eons of cobwebs and dust accumulating in the Tower Of Silence and attempt to unearth its dreary secrets.
Worm Monolith dives into his eponymous LP, providing us details as to what transpires in his album’s narrative. He also provides us a glimpse into his future output, illuminating how his sound will evolve, and where his story will travel next.
Nicholas of NONE discusses the blend of genres, feelings, and energy comprising this solo project of his. He goes into his writing process, what the project represents for him personally, and he also divulges the intriguing notion that NONE is more than just the name of his project, but a deity of his own construction.
Professionally duplicated cassettes of Noctilucant’s latest opus, A New Terror Born in Death, is now available. Limited edition of 30.
Everything you ever wanted to know about the album Lysol by the Melvins.
In episode forty-three, Duncan Park (Listeriosis, Return to Worm Mountain) delves into each of his projects and discusses what he has learned from them. He speaks about how he came into contact with extreme metal, his love for drone, and how his compositional approach has evolved as he works with more musicians.
In episode twenty-two, we are cloaked in the droning, industrial-tinged sound palettes of Grave Blankets’ self-titled debut EP. We get hanged, drawn and quartered by the technical, groove-laden death metal savagery of Cognitive’s new LP, Matricide, and we stride across the neon synth skylines of MULE’s future retro debut record, Music for B-Movies.