An off-the-dome rambling on some top album picks from FCU’s contributors.
Tag: Noise rock
2020 Year-End Wrap-Up
Top 2020 album picks from the FCU conttibutors.
#185 | Album Review | Shifting – It Was Good
A podcast review of the debut LP, It Was Good, from the Dublin noise rock trio, Shifting.
#180 | Track Reviews | Evaporated Sores, Quaranteam, Sprain, Goratory, Quarentimes Compilation (Super Thief, GRIZZLOR, bbigpigg), and An Albatross
Excessive ramblings on timbres harsh, elating, groovy, boisterous, and psychotic.
#169 | Track Reviews | Necrot, Black Palm, Voidbloom, Powerman 5000, Shifting, and Imperial Triumphant
Ramblings about new EPs and tracks off of upcoming records: crusty death metal, blistering mathcore neuroses, worming noise rock, and a myriad of other resonances.
#166 | Album Review | Chief Tail – Chief Tail
An album review podcast of the debut self-titled record from the punky noise rock gutter denizens, Chief Tail.
#165 | Track Reviews | CATSICK, Cyttorak, Pyrrhon, Don’t Grow Old, Carpenter Brut, and Dearth
Concise ramblings of some relatively fresh tracks and EPs: sloppy punk, planet-demolishing sludge, a synthwave cover, plus a litany of other timbres.
#159 | Track Reviews | Knock Over City, ZOMBIESHARK!, Firelink, Bell Witch & Aerial Ruin, Gaytheist & Intercourse, and Defeated Sanity
Succinct reviews of some fresh singles, EPs, and splits: cybergrind, funeral doom, noise rock, brutal death metal, and a sundry of other tones.
#155 | Album Review | Mammock – Itch
An auditory experience that channels the fragrant stillness of a twilit evening in the dead of summer.
#149 | EP Review | Chat Pile – Remove Your Skin Please
An album review podcast of the second EP, Remove Your Skin Please, from the sludgy noise rock quartet, Chat Pile.
#109 | Album Review | GRIZZLOR – COOLNESS FACTOR 6
Grab your makeshift wrenches and welding torches to keep this disheveled crew’s craft afloat as we strike murderous warp speed.
#100 | Interview | Crowfeeder, Constant Disappointment Records
Adam speaks in-depth about his sludgy, blues-imbued hardcore project named Crowfeeder. He then expands upon this endeavor to illuminate the genesis of his chaos-teeming record label, Constant Disappointment Records.